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Most famous simon and garfunkel songs1/18/2024 ![]() His first new solo album in many years, Up To Now, has recently been released, and it features some beautifully intimate acoustic moments, the kind he is happy to embrace with Paul Simon in these string of concerts. "He also spoke about a world of other subjects, since we covered much of the history of Simon & Garfunkel with him during our first interview. Wearing a "Boxing Helena" cap that hid his head of curls, he ate eggs and onions, drank coffee, and spoke about the way he and Simon achieve their famous sound. We spoke to Artie over breakfast at a little diner near his horne on a grey Manhattan morning. Though they are consistently drawn apart over the years by the diverging paths of their artistic tastes, when they come together the sound they make is unmistakably their own. Though Simon & Garfunkel have had their famous fights and disagreements over the years (somewhat touched upon in the following interview), one thing they do seem to agree on is that the blend of their voices in harmony is a sound sweeter than most things heard on this earth. Blessed not only by an angelic voice and a profound gift for harmony singing, but also by a lifetime musical alliance with one of the world's greatest living songwriters, Paul Simon. It's an understanding that Artie does have, that his life is blessed. ![]() He doesn't understand that everybody's life isn't like this." "The thing is," Artie notes, "that he thinks this is normal. ![]() ![]() He's a completely wonderful person." We look into James' playroom, a colorful carnival of toys with windows overlooking the autumnal park. Artie also introduces his wife, Kim, who says, "Don't write anything negative about Artie, because there is nothing negative about him. Today Artie shows me around his spacious apartment on the east end of Central Park in Manhattan, and introduces his two-year old son James, who has a head of wild curls like his famous father. Neil Young's Bridge School concert in San Jose, California, Simon and Garfunkel sing the line with the new phrasing. Though neither he nor Artie are quick to accept the label of "perfectionist," in truth both are so accustomed to the perfection of their miraculous vocal blend that a small change like this one is not to be.rushed into, even after rehearsing it many times that afternoon. Later Paul mentions that at the last minute he decided not to change the line. That night, before an ecstatic crowd of 1500, they sing the line as they always have, leaving the new phrasing for a different show. But after a few times through the line in which both Simon and Garfunkel hesitate slightly, they settle at last on identical phrasing, with Simon's lower harmony beautifully matching Garfunkel's melody. reminding the listener that these are, after all, two separate singers with two separate voices, a bit of a revelation after hearing the perfection of their blend for all these years. We're at the Paramount theater in Manhattan on an October afternoon, about halfway into their unprecedented 21-night series of sold-out shows, a retrospective of Simon's career that begins and ends with a Simon & Garfunkel reunion, and is connected by all the facets of Simon's extraordinary career: folk, gospel, doo-wop, jazz, rock, plus the invigorating, beautiful rhythms of his African and Brazilian- based songs.īut right now Paul and Artie, are going over and over one line in the song that first made them world-famous, the Sound of Silence." The line is "Take my arms that I might reach you," and the two men are settling into a new phrasing, turning the ascending line into a descending one, starting after a half-beat pause and changing the lyrics slightly to "that I may reach out to you." At first their combined phrasing is slightly askew.
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